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For everyone complaining about the price; maybe you'd rather pay $3,000-$4,000 for the real thing? And then there's all of the maintenance. There is always the original Boonar.

Good morning Bjorn,i have the Boonar,do i need to buy the Deluxe Boonar ??thank a lot what is the différence ??

I think PastFX needs to do a clone.

Price is insane for a pedal

I think the single is wonderful - a real ear worm

I can't get enough of this song! ❤️❤️❤️❤️

Guitar solo 100% Gilmour sound... Lyrics and story have double meaning and references, cryptic story telling very pink floyd style. mostly reminds me of Welcome to the machine and have a cigar.... a rock n roll tale as old as time, selling your soul for rock n roll

5:06 … So, wait … the Pulse was used on the lead playing, as well as the Boonar TD, from this point … ? Or was the Pulse only used on the backing/‘rhythm’ playing … ? 🤔 Thanks 🙏🏼

Is it better than the Echorec?

Sounds amazing and I would probably be willing to pay half of what it cost…

1200 bucks, I'll pass . Sounds good tho.

Great sounds, and thank you for the free track, I'm going to use it for busking!

Hello i bought The Boonar 3 or 4 years ago,do i need to buy the new one ??thank a lot

Sounds awesome, but that price tag is insane.

I was marginally excited until I saw the price.

Interesting Bjorn and, as always, appreciated! Thank-you. See @ Dawner Prince site; Paul Stacey and David Kilminster use these pedals. Feel we've heard the 'boonar' live with DK and on the Stacey-produced 'To the Bone' by Steven Wilson. Thanks again Bjorn for introducing us to Dawner Prince; lovely!

Hey Bjorn, great demo. This is definitely great for the whole Echorec experience. But I do have a budget recommendation for Gilmour’s Echorec tones. Get a TC Electronic Flashback or Plethora and load up their Toneprint software on your computer or mobile phone. Under artists go to Andy Martin (he is the guitar player who demos pedals on the RUclips channels of Reverb and ProGuitarshopDemos) and load his TonePrint “Alter Ego E REC 2” into one of your TonePrint slots on your TC device. This is the same Echorec sound that you can find on the Alter Ego V2 pedal, but now it's available to every Flashback and Plethora. To me, it sounds accurate.

Been waiting for your video since I first saw this pedal! Sounds absolutely amazing!

Great demo but I wanna thank you for giving us that backing track!!

Great playing!

I bought the mini boonar 3-4 months ago...the pedal is a staple on my pedal board! Thank you for showing off this bigger version of dawner prince's amazing echorec! my favorite feature is the infinite swell...you can make some crazy fun soundscapes! Thanks again, Bjorn! 👏

Love your Strat, looks killer and sounds great 🎸💥 Boonar has great tones 🎉

Hi Bjorn. The Echorec has just been reissued, I think by T-Rex (very very expensive, about €2k) Boss has just issued a new analog delay, the DM-101, a digitally controlled BBD one with very interesting features like behaving like there are multiple recording heads on a tape, etc... Some say the sound is as good as with the Moog MF-104 which has absolutely stellar sound.

Cool looking and great sounding unit. But I would still like to try a tube saturation pedal/device before or after the $300 non tube version vs this one to demo in the future.

Great!

WoW! 🤩🤩🤩🤩

Sounds like a great pedal, but it's crazy expensive. Too expensive.

I would prefer if he completed a largely instrumental album without the family input

Gilmour n’a fait qu’un seul bon album Solo et même très bon c’est ON AN ISLAND et le reste est médiocre .

David is really making a statement regarding being truly, musically finished with Pink Floyd.

I think its good. A change of pace for him. A welcome one, I might say.

The original version reminded me of the first part of Homesick 😊

It´s a bit odd to read all this positivity when you all agree that we can´t expect any rock god edginess but instead more of what we´ve heard on his recent albums although allegedly "a new direction for him" within that framework.

The only good thing of this track is the chorus whoch isna bit short. The rest of the song is so flat and uninspired. The solo is beyond dreadful to the point whwre its almost embarrassing. Its lazy improv with zero memorable moments. Real disappointment to be honest. If hed used the chord progression of the chorus for the solo he vould have created a memorable solo. Maybe something using slide like in High Hopes.

Being totally honest a lot of Gilmour's later solo work is for lack of a better term kind of listless. It's a far cry from his early work in which 'No Way' is my favorite Gilmour tune of all time and is both technically excellent and digs into your soul like that whole album. I thought this tune clearly showed some classic Gilmour, and it's refreshing. There's dark and light here, just like his Wall and earlier work. and it's not hidden under a veil of pretty guitar melodies .His daughter's voice is sublime, and with all due respect it's her song, and that's fine. I'm sure if Richard Wright were still around he would be lending some keyboard strokes. If this kind of stuff is going to be Gilmour's Opus by all means give us more.

Bjorn, “All Rights Removed” is one of my favorite albums of all time. Please bring Airbag to the USA!

After Pink Floyd i have always favoured Waters solo albums. I have liked his solo albums better (including the two PF albums without Waters) . But now i´m not so sure anymore. I really like the new songs from Gilmour. Indeed. Looking forward to the whole album :)

Thank you for sharing your thoughts on the new songs! I loved your review of 2015 Royal Albert Hall shows. Are you coming to Gilmour's live shows this year?

Exactly, "nothing special", in this solo coming from one of the greatest guitarists of all time. Not only in this song but in other more recent songs as well I felt the same thing. Hugs from Brazil.

Ce titre Between two point pour une moi c'est un plaisir qu'un père réalise avec ça fille une chanson que je trouve magnifique et surtout la présence du papa sans être très envahissant et présent a la fois.

I believe Bjorn here is giving his opinion based on being a professional guitar player who basically covered the entire guitar work of Gilmour during the years. Therefore I understand he is expecting to be wowed again like the first time he heard DSOTM or Division Bell. I respect that. And obviously that's not the case cause magic seldom happens in life. And Gilmour already gave us all more magic than we can even realize during the last 50 or 60 years. That being said, and with all respect to Bjorn, I completely disagree with his opinion cause simply music is music. Even if you heard the solo licks before that doesn't mean it is not beautiful or not inspiring. Me as a listener (before being a guitar player on any level) i still can hear that its a beautiful solo, with great musical phrases full of Gilmour soul, and even the solo is easy to played on guitar. And i didnt hear new licks in it as Bjorn said. But it totally inspired me still ! ... its a beautiful song (even though it doesnt have gilmour soul to it) and moreover its a beautiful solo.

I think you cant satisfy everybody. When he releases something groovy and bit lightweight like lets say Today of the Rattle that lock, people take it as its too plain, on an Island too sluggish etc. Overally, objectivally Gilmour does good music, maybe not great, he is seasoned musician and it shows. Some choices that at first I dont like, usually after few listens are growing on me, he got that quality to his sound. Particulary solo on this track I find really good, fitting. I am no guitarist so I dont want to judge it from technical side, it is probably as you say not very challenging or creative. Than again I dont assume that at this age Gilmour will redefine himself as a guitarist

Lol Bjorn- how many of us wrote you about the NOS Strat/sticker? :P

It is a phenomenal song to release as a single. He is 78 years old and really is a master at his craft with the fire still to make music. Therefore there are no rules, no formulas except to proceed with feeling. He was probably very eager to share the song he made with his daughter...an awesome reason. Being a cover? No big deal.....there are no formulas. The solo? The tone could be just hot pickups with compression. It sound different though because throughout his career, David has lived mostly on the brdge pickup whereas this solo is neck only.

I think this is his best recording for a long time, although not his own song. A lovely song, vocals really good and that tone on the solo really jumped out to me, in a good way. Not the most precise playing but the tone dominated it for me. Would have loved to have heard that tone on some floyd stuff. Great review by the way. 👍

It’s a nice song but the solo is lame

It's solid...for a cover. Can't say I'm a big fan of Gilmour's solo work but I appreciate it - the man can do whatever he wants.

I actually really love that David is evolving his music even at this age, still distinctly Gilmour once you hear the solo but with a fresh take. I always welcome more inspiration from the man. The solo tone was terrific, I got myself a ChaseBliss Warped Vinyl to try to replicate the modulation... on a side note I actually really enjoyed Rattle That Lock, Faces of Stone is very fun to play

I too was hearing the Everything But The Girl vibe from the 1st listen. I love how David curveballs us with a completely "not like him" track as my main criticism of especially Rattle That Lock is its too "him" just all too "safe" and "predictable" so great to hear something that's dare I say stand alone. The solo is ok but like with the 1st single I would have preferred a "fade out" chorus rather than a solo only ending as both singles so far are strong enough to do that. Roll on September.

I like the song and appreciate that DG at nearly 80, is looking to do something fresh rather than just churn out the same-old same-old till the day he dies....